![]() ![]() Meanwhile, “Wicked” advises that you can’t walk around when they’re in your town over a heinous instrumental & “Locksmith” goes into psychedelic territory talking about being a problem. After the “Counting Casualties” interlude, “Pros” boasts that they only hang with the best on top of more heavy guitars & hi-hats that is until “Vacant” asks how the fuck exactly you gon’ die with it over another rage beat. ![]() “Welcome to the Hatman” dives right back into hypertrap territory delivering some demonic performances in the midst of all the sonic chaos leading into “Funny” being one of my favorite cuts on the album due to Powers Pleasant’s trap metal production being one of the best instrumentals on the album & the lyrics about how no one wanted them to succeed. “Haha Waco” features co-production from Taz Taylor so the City Morgue can eerily threat their opposition over an industrial/horror synth hybrid just before “Boy in the Box” talks about catching bodies taking it back to their signature trap metal sound. However after several delays, they’re officially making My Bloody America their last hurrah.Īfter the “Hell” intro, the first song “Skull & Bones 322” marks the beginning of the end by cautioning to either phone home or start duckin’ on top of a bombastic trap metal instrumental with some industrial undertones whereas “Sauna” works in some rage beats talking about bringing the drama. This was followed up with the worthy sequel As Good as Dead, the mediocre debut EP Toxic Boogaloo & their previous album Bottom of the Barrel following SosMula & ZillaKami’s respective solo debuts 13 Songs 2 Die 2 & DOG BOY. Mostly because prior to that album, I never heard anyone fuse trap with metal music in the way that they did. Consisting of ZillaKami & SosMula on the mic alongside honorary 3rd member Thraxx on production, I first caught wind of them due to ZillaKami’s verse on Denzel Curry’s classic 3rd album TA13OO & their debut that followed shortly after Hell or High Water completely stopping me in my tracks. This is the 4th & final full-length album from New York trap metal outfit City Morgue.
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